Posts Tagged ‘Editing’

Click on image to goto the link to register.

 ‘To cut a long story short’,

Online workshop for aspiring film editors hosted by Film in Limerick 

Free online workshop will explore the art of editing and career opportunities in the field 

Media Release Thursday 7 May 2020 

Simon at his edit suite.

Innovate Limerick through Film in Limerick is delighted to announce that local film editor Simon McGuire, will join us Wednesday 6 May at 2pm for a free online webinar on working as a film editor. 

The workshop is the latest in the Wednesday Workshops series and is open to anyone in the Mid-West with an interest in filmmaking. 

With over twenty five years’ experience in film and broadcast editing, with credits including; RTÉ’s Killinaskully, Mattie and Kevin Liddy’s, The Suffering Kind. Simon lectures on the craft of editing at Limerick School of Art & Design (LIT), and is currently undertaking a Doctorate of Education in Creative Media Practice at Bournemouth University, UK. 

The workshop, titled ‘To cut a long story short’, will explore Simon’s process and the craft of editing as well as the tools he uses to create stories. The session will also focus on work opportunities in Ireland and further training possibilities for aspiring and developing editors. 

Editing time line for the short film ‘Before His Eyes’ (2020). Director, Paul Boyle.

Regional Film Manager, Paul C. Ryan, says: “we are thrilled that Simon will be joining us for what promises to be a really useful workshop for anyone aspiring to develop a career as a full-time editor in Ireland. Simon is one of our most talented editors and a great champion for film students in the region. 

The workshop is the fifth of 10 free online ‘Wednesday Workshop’ events that 

Film in Limerick is running for aspiring and practicing filmmakers in the MidWest. The initiative is supported by Limerick and Clare Education and Training Board. 

Register for the event here 

Editing timeline for ‘The Suffering Kind’ Director, Kevin Liddy

Editing Timeline for the Limerick documentary. ‘The Picture House’

Had the pleasure of filming and editing this package for the Hospitality Training & Education Centre, where some of the shots featured on the RTÉ programme, “Ireland On Call’ on Tuesday 21st April.

The package highlights the fantastic work by the centre with the Volunteer learners, who are providing high quality meals for the front line workers across the mid-west.

Press Release (in part)

The operation has also seen significant support from businesses in the region and beyond. Bernadette says: “The support we have gotten has been fantastic. Irema Ireland in Kilmallock supplied the face masks for all our food production and delivery staff. Delivery containers were supplied by Noel O’Connor of Pat O’Connor Butchers, along with plastic crates from Richardson’s Foods and wooden trays from Pat The Baker. Paul Cross Sharpening Services, based in Rathangan, County Kildare, provided uniforms and protective clothing for deliveries. And, Pallas Foods even provided us with Easter eggs for all the food deliveries going out over the Easter weekend!”

 

Responding to the launch of the new initiative, Bedelia Collins, COVID-19 Co-ordinator of Resources and Service Offers, HSE Mid West Community Healthcare, says the service is very welcome: “Bernadette and her team have been so professional and so easy to work with, which is just what’s needed at the moment. The flexibility that’s been offered with the service is great, especially with the transporting of meals to the different locations in the region. Staff are really touched and very grateful. They are delighted with the quality of food. We started with almost 100 meals on Thursday and expect this to increase significantly in the coming days.”

For further Information contact:
Bernadette Enright, Manager, Hospitality Education and Training Centre,
Limerick and Clare Education and Training Board
Telephone: 085 242 1819 | Email: bernadette.enright@lcetb.ie

 

Jimmy (Jack Walsh), Dan (Pat Shortt) and Timmy (Joe Rooney)

Killinaskully is to be aired again on RTÉ One, starting this weekend on Sunday 19th at 8pm, with the pilot episode from series one.

This was a great time of my career working with the cast and crew as Assistant Editor and then Editor on the later episodes.

Something to look forward to during the lockdown.

More Info soon.

 

 

Hi all

Following yesterdays post, here is the new documentary by Jon Lefkovitz;

Sight & Sound: The Cinema of Walter Murch.

or watch it here:

SIGHT & SOUND: The Cinema of Walter Murch from Jon Lefkovitz on Vimeo.

 

Hosted by The Irish Screen Editors Guild (ISE) and the team at Element Post, ISE members were treated to Editor Tony Kearns’ presentation of his contribution to the Emmy winning Black Mirror interactive film Bandersnatch.

Detailing the challenges involved in a complex interactive narrative and the resulting workflow, Tony described how he and his team worked with the multiple timelines needed to maintain the different choices the user can make on the meta narrative.

If you are also interested in Tony’s previous work then check out some examples of his editing on music videos below:

RadioHead – Just

Chemical Brothers – Believe

And if you haven’t experienced Black Mirror Bandersnatch, then log into Netflix on your smart device or smart TV.

IMDb page HERE

ISE Blog Post By Mark Gilleece on the Masterclass.

Tutors: Eoin McDonagh, Editor
Date: Friday, January 24th, 2020
Duration: 1 Day
Venue: Dublin TBC
Cost: €150

Course Profile:

In this course participants will gain a full insight into the role and responsibilities of the assistant editor.

Areas covered include:

  • Organising project and footage
  • The difference between fiction and non-fiction assisting
  • Expectations of performance from the assistant editor

Preparation

  • Ingest of rushes
  • Logging and synching
  • Treatment of non-standard archive

Editing

  • Sound work – Track laying on sequences
  • Adding Footage as the edit continues – Moving footage between machines – Importance of Master project
  • Preparation of exports/promo material – Choice of codecs for export – Using third party compression software – BITC

Finishing

  • Relinking to full-res – Project parameters (SD, HD,2k etc.) – How to check the relink is correct – Troubleshooting relink problems
  • Creation of deliverables for Grade and Mix

Participant Profile:

This one-day course is aimed at those interested in moving into assistant editing and who wish to gain a thorough overview of the role and the responsibilities it entails. Applicants should have a working knowledge of Avid Media Composer and/or Adobe Premiere and/or FCPX. There will be a one-day supervised placement with an editor working in non-fiction offered to those interested.

Application Procedure:

Please apply online at www.screenskillsireland.ie by 12:00 PM, Tuesday, January 7, 2020, attaching a current CV and an overview of why you would like to participate  in this course.

You need to be logged in or registered to apply for a course. Click here Login/Register

So am taking the plunge and using Avid MC 2019 for the edit of the short film, Blood Brothers, I shot last week.

So far I’m not disappointed. The ingest, sync and binning went off without any problems. Content was all linked without codec issues and there were also no problems when it came to using the Autosync option for the sound.

Yes a few things are gone like the edit selection and trim tools from the Timeline window as well as the option for using the Caps Lock for scrubbing, however all of these are available in the command pallet and are an option for a button on the keyboard as well as the tool menus.

All the fast “burger” menus are gone but again those options are there if you right click the mouse in the bins, timeline or monitor windows.

As I progress through this short film I’ll post more on my experience of using the new Avid 2019 but in the mean time I’m happy with the interface changes.

More soon.

Filmed in Ireland and edited in Limerick with a broadcast date and time of Thursday 16th march at 10:15pm, RTE 1;  ‘No Words Needed’: Croke Park 2007, is an hour long documentary reliving the memories of how the doors of the famous venue were opened to Rugby, and that famous match against England for the Six Nations.

February 24th 2007, the day that Ireland hosted England in the Six-Nations rugby championship, is a date that holds huge significance in Irish sporting history. The venue, Croke Park, was the scene of a massacre when during the War of Independence British Military Forces entered the ground and opened fire killing fourteen people, including Tipperary’s player Michael Hogan. This day became known as Bloody Sunday.

On the lead up to the game there were fears of trouble. How would the Irish react to the official visit of an English team to play in Croke Park? The last time English presence was significant at this venue, they came uninvited, unannounced and with such devastating consequences on Bloody Sunday, 21st November 1920? What would the reaction be to the unthinkable happening of the British flag flying over Croke Park?

This documentary examines the debate and struggle to modify the restriction of the playing of non-Gaelic games in GAA stadiums, so that rugby and soccer could be played at Croke Park during the renovations at Landsdowne Road.

Never before had performance and result weighed so heavily on the shoulders of any team. Never before had a pre-match ceremony of anthems been so scrutinised and debated. The significance was much more than the playing of England’s ‘God Save the Queen’; it was about how we – the Irish – in the cradle of our national games and the beacon for our modern identity would react to its playing.

No Words Needed: Croke Park 2007 is a fascinating insight into perhaps the most significant sporting event in Irish history. A host of political, sporting and cultural leaders tell of their experiences in the run up to the event and the day of the game itself.

List of interviewees:

Irish Rugby Players 

Jerry Flannery

David Wallace

Shane Horgan

Denis Hickie

Denis Leamy

Rory Best

Paddy Wallace

Martin Corry (Former England Rugby Player)

Eddie O’Sullivan (Head-Coach of Ireland in 2007)

Journalists

Gerry Thornley (Rugby Correspondent for the Irish Times)

David Walsh (The Sunday Times)

Eamon Dunphy (Broadcaster and Journalist)

 

Sean Kelly M.E.P. (Former President of the GAA)

Oliver Hughes (Wolfe Tones GAA Club, Co. Derry)

Bertie Ahern (Former Taoiseach)

Conor O’Shea (Commentator in Croke Park) 

Diarmaid Ferriter (Historian)

Micheal O’Muircheartaigh (Retired RTE broadcaster)

Directed by Ronan Cassidy, edited by Simon McGuire and music by Fergal Lawlor (The Cranberries). The documentary follows the story of the lead up to the Ireland v England rugby game in Croke Park in 2007, the most significant rugby game in Irish sporting history.

Simon at the edit suite

Screen grab of the edit

RTE TV listing of the documentary

This slideshow requires JavaScript.

14890005_1788092831456171_2000790814332676726_o

RTÉ2 are screening The Limerick Film Trilogy in November on the Monday night Shortscreen slot and will also be available on the RTÉ Player afterwards. The trilogy consists of three short films that were made with the support of Limerick 2020 in partnership with Behind The Scenes. The scheme also received assistance from Screen Training Ireland. The dates for screening are:
LIMERICK TRILOGY – Day Off – 7th Nov ’16
LIMERICK TRILOGY – The Apparel – 14th Nov ’16 
LIMERICK TRILOGY – Date: Time – 21st Nov ’16

Up next tonight, (12:05 RTE 2) is ‘The Apparel’ written by Dan Mooney and directed by Peter Delaney under the guidance of Gerry Stembridge.

apaarel-poster-rte

 

 

14449016_10155318441772846_6593585849127411062_n

Am delighted to announce that four films of which I edited have been nominated for the Richard Harris International Film Festival in late October.

‘Day Off’, ‘Date:Time’ and ‘The Apparel’, have all been accepted. These films were the brain child of Film Limerick Project manager Ronan Cassidy with renowned director Gerry Stembridge.

The scope of the Film Limerick project was not for the faint hearted. To bring the three stories together with three writers and three directors took organising and at times needed a delicate professional hand to harmonise everything together and allow the interweaving of the narratives, characters and locations of Limerick city to compliment each other. Project mentor Gerard Stembridge and project manager Ronan Cassidy brought all this together and with the support of the Limerick City of Culture, Behind the Scenes, Limerick 2020, Limerick Institute of Technology. The same amount of hard work, dedication and attention to detail was given to all three and the fruits of the labour of all cast and crew involved can be seen in every shot and piece of sound. This was certainly evident when all three had their cast and crew screening at the Limerick Film Festival back in April to an audience of nearly two hundred.

As editor on the trilogy, i’m taking great pride in the effort from everyone’s talent and patience with these films. I would encourage everyone to take a look at all three when ever you get a chance to see the film making talent that is growing in this city and region. They need the support and encouragement to continue their passion and goals. Film in Limerick needs to be supported now and into the future, whether the Limerick 2020 bid is successful or not… culture is not just for one year it’s for life and the Film Limerick Project has been only one part of many available by different groups and individuals in the city. It has achieved its goals set way back between the Limerick City of Culture 2014 team and Behind the Scenes. Regardless of people’s difference of opinion of each other, the trilogy films… all films… created in Limerick should not suffer… it is our creativity,… our art,… our culture and long may we continue to practice!

 

This slideshow requires JavaScript.

The fourth short film nominated is Tommy C. Conlon’s, ‘The Sons of Robert Schuman’. Edited in early 2016 this is Tommy’s second short film after the success of ‘Play It Again Son!’.

SYNOPSIS

An Irishman, a Frenchman, a German and an Italian are working in the public relations department at the headquarters of the European Union in Brussels.

On this particular day they are each giving guided tours to visitors. They explain the history of the EEC/EU. Naturally they portray it is a visionary project, built on the ideals of great statesmen who after World War 2 dedicated themselves to a future Europe of peace and prosperity.

 

Tours over for the day, they return to their office upstairs. Whereupon they swiftly begin haranguing each other, insulting the others’ countries, resorting to caricature and national stereotypes. The united façade presented earlier to the public has disintegrated.

Writer’s note

While this film is essentially satirical in intention, and hopefully comedic in its execution, the writer is trying to make a point about basic nature. Can human beings successfully erase their tribal identities and atavistic instincts for the sake of a greater common good? And is the vast EU project, currently generating widespread resentment across the continent, ultimately a chimera that cannot be sustained.

Shot on location in Dublin, and edited here in Limerick, the short has a particular contemporary feel with the current unfolding news stories of the Euro 2016 and the UK Brexit referendum.
Tommy’s previous film ‘Play it Again Son!’, has had previous success at the 2015 Limerick Film Festival, winning the award for best acting for Pius McGrath’s performance.

The Sons of Robert Schuman is currently doing the rounds on the Irish Film Festival circuit as well as the European stages. As information on screenings become available they will be posted here.

Congrats Tommy.

I was delighted to work on all four of these films and look forward to the festival which takes place from October 27th to 31st.