Archive for the ‘Radio’ Category

Wired FM is hosting the inaugural Limerick Media and Arts Conference online on August 25 and 26, 2021.

LMAC is a free event aimed at young Irish broadcasters, artists, content creators, film makers and journalists to discuss creativity, criticism, production and innovation in media and arts. We will also address some of the challenges facing media/arts students and graduates today.

The conference will take the form of several panel discussions, with some workshops and talks littered throughout the two days. Panels will take place over Zoom (webinar style) and will be moderated by an industry professional. The panels will be just under and an hour in length.

The event kicks off with a plenary session at 2pm on Wednesday 25, August. Rob Quicke (Co-Founder, World College Radio Day (Professor, William Paterson University, NJ, USA)), Paula Healy (Station Manager Flirt FM 101.3/Irish Student Radio Network/Craol), Diarmuid McIntyre (HearSay Audio Festival/Grey Heron Media) and others will discuss student media, and the importance of getting involved.

This will be followed by a unique multi-camera online workshop with one of Ireland’s most celebrated DJ’s Aoife Nic Canna. The event will be streamed live from Melody in Limerick and is an absolute must for any burgeoning DJ. Following that, we have a very unique event, Making it in America, with Malachy Browne and some very well-known Irish journalists based in the US. We’re very excited about this one, keep tuned to our socials for updates

Our panel discussions run from 11-4pm Thursday, 26 August.

TikTok star Lauren Whelan will accompany Craig Houlden from the Anfield Agenda YouTube channel. Instagram content creator Clóda Scanlon (orangeobviously) and up-and-coming sports pundit Jay Daly (The United Stand) will complete the Millennial Media panel.

Nessa McGann will moderate the panel discussion Challenging Current Affairs Programming. She will be joined by The Irish Mirror’s Ciara Phelan, Virgin Media’s Rob O’Hanrahan, NewsTalk’s Andrew Lowth and The Irish Examiner’s Aoife Moore to offer their expertise.

Where Are The Critics?: The Role of the Critic in 2021Sunday Times journalist Cristín Leach will talk to well-known and respected critic Zara Hedderman, Dave Hanratty of the No Encore Podcast, freelance writer Alannah Hopkin, and CEO of Blinder Films Katie Holly.

Journalist Aoife Barry (The Explainer/Journal.ie and Get Around To It Podcast (host/producer) will join Martin Beanz Warde of The HazBeanz Show,  Fur Coat No Nickers’ Sophie La Touche and HeadStuff’s Conor Reid to discuss all things Podcasting. This panel is moderated by Diarmuid McIntyre.

The conference will come to a close with two really special events. Well-known funny man Owen Colgan (Hardy Bucks/RTE’s Around the Fire) will be the focus of a Questions and Answer’s session where students can pick his brain about the fantastic range of projects he has been involved in over the years, from stand-up to acting, from guerrilla film-making to working for RTE, and larger, big budgeted productions. 

The film maker and musician Nick Kelly will present an hour long workshop on directing. Nick has been a prolific short film maker for several years, and has been shortlisted for an Oscar. He released his full length feature The Drummer and the Keeper in 2017, and he had a rewarding fifteen year career directing high profile advertisements. He is also the former front man with The Fat Lady Sings and is an accomplished and successful solo musician. We feel incredibly lucky to have Nick on board, his SEE:HEAR Stage show was a massive influence on the team here at Wired FM.

We put this event together to revitalise and invigorate those involved in college media – after what has been a very challenging 18 months.

We did so in a bid to look ahead to the new college year with enthusiasm and optimism.

Tickets are free, and available here

See Facebook Twitter and Instagram for more details 

It’s that time of the year again when CAO applicants have the change to amend their choices for college places. If you need to amend or add courses you can use the Change of Mind facility before the 1st July at 17:15.

Based in the Moylish Campus, in Limerick, the Creative Broadcast & Film Production and Music Technology & Production Programmes offer a blend of learning solutions for those thinking of a career in the creative industries. As part of the Department of Digital Arts & Media, Limerick School of Art and Design, students have availed of the practice based programmes and achieved multiple awards both locally and nationally.

For more information, check out the programmes and the CAO change of Mind page on the links below.

Creative Broadcast & Film Production Course Code: LC371

Music Technology & Production Course Code: LC372

CAO Change of Mind

An article By Fred Ginsburg, CAS, Ph. D.

The first semester of having to teach online is over. It was a unique experience both for faculty as well as students. Some were able to handle it fairly well; we are a profession of technically adept filmmakers, after all.

But with the high probability of the Fall 2020 semester also being primarily online, and maybe even the following Spring 2021 (depends on when we see pharmacologic solutions), many students are having second thoughts about continuing their education. They are thinking, “Is it worth it? Maybe this is the time to take a semester or two off?”

Initially, the thought of taking a long sabbatical makes sense. Learning online is not the most effective means to learn filmmaking. After all, the production of films involves a lot of hands-on and close social activity. Only the act of scriptwriting is a solitary vocation.

However, as much as most of us Production Faculty want to reassure ourselves that the hands-on components of what we teach is state-of-the-art and irreplaceable – the realistic fact is that we only cover the tip of the iceberg.

Most of what we teach involves mindset and understanding the basic principles of our technical crafts (cinematography, editing, audio, etc.). It is not so much about the specific equipment, but what to do with said equipment in order to communicate.

This semester made me realize that most of what I had to share with my students was an understanding of how and why we do what we do on the set. I recalled the first thing that I concluded after leaving college with a freshly printed diploma and transcript. Working with seasoned professionals in Hollywood taught me more (technically) in several weeks than I had learned over four years on campus! The equipment and technology were way beyond the amateur levels provided by our film department.

However, my overall understanding of aesthetics and production flow was equal, if not sometimes superior to that of the veteran crew around me. So, my education was successful in terms of teaching me the big picture. I knew the principles of lighting, just not the nicknames of all the Mole-Richardson lights nor how to thread up a 35mm ARRI. I understood what was necessary to record on set, just not how to operate the fancy mixing panels and other gear.

The point that I am making is that most of what you will ultimately derive from a college degree in film/video/media does not rely solely on hands-on experience. It comes from learning the underlying thought processes, goals, and mindset of a professional. It goes hand in hand with learning the fundamental concepts of filmmaking, including the aesthetics, art, and business aspects.

It is about being pointed in the right direction, so that you know what you need to continue mastering on your own. What instructional videos to watch on the internet, what software is essential, and the industry standards. Seminars and workshops sponsored by guilds and manufacturers. User groups.

Practical Considerations Against Postponing College

By continuing to attend online, you keep your mind sharp and progress through your degree program. Sure, you will miss out a lot of the hands-on experience, but as I have learned in my many years of life on this planet: most of the hands-on training that you get at the majority of even the elite film programs does not equate to the levels that we operate at in the industry.

Your degree in film is not respected for what a college may or may not prepare you for in terms of hardware proficiency. That is a skillset that you can rapidly acquire with but a few weeks of workshops and seminars. On your own, or through post-curricular events sponsored by your college department.

For example, the department in which I teach has had numerous discussions regarding conducting special sessions as soon as it is deemed safe to do so, with many instructors even volunteering their own time and resources to make these happen. (When you leave Hollywood in order to teach, it certainly is not for the money!)

As a student, keep in mind that many of your classes are outside of the production realm. Writers learn much from understanding psychology, sociology, and history. Producers and freelancers should master accounting, contract law,  and other business-related subjects.

If you do decide to take time off, what do you plan on doing with it?

Internships, during a pandemic, are scarce – and rarely involve any hands-on due to social distancing.

Earn money while you are no longer in college? Doing what? The economy is barely hiring right now, unless you want to be a delivery driver. Retail establishments are more concerned about hiring back some of the people that they had to lay off. There is no great rush to bring in a bunch of high school grads (who did not complete college yet) and offer them enticing positions.

But let’s pretend that money is not the issue. You could travel the world and experience a diversity of cultures. Or maybe not, on account of this virus thing.

Having spent six months or a year sitting around in a mask and bored like hell – you decide that you are ready to return to campus…

Although the colleges may be eager for you to re-enroll, they cannot guarantee your spot in the film program. Your original “class” of film students has progressed in their academic hierarchy and are now in the more advanced courses of the curriculum. You can no longer team up with your old friends on projects.

You now have to compete, not only with all of the new students entering (or progressing) in your program, but also with all of the returning “time off-ers”.

COVID-19 has forced budget cuts at all of the colleges. Courses may not have been cut, but it is unlikely that the number of courses/sections will be increased. Departments have limited production equipment, edit bays, computer labs, screening rooms, soundstages, control rooms, large classrooms, and other physical facilities.

So even if the academic administrators approved opening up additional sections of some courses and were willing to pay the instructors, there still may not be enough resources to support that many new students in the program.

Learn what you can, while you can

Going back to college after months away can be particularly challenging from a mental standpoint. Think about how hard it is to get back into an academic routine after just a summer break!

It will be even harder after a semester or two away!

And the film industry will not welcome you without a college degree. But they will not be as concerned about your lack of hands-on set experience compared to what they may think of your lack of a focused college degree in the field.

Trust me. Once things settle down in terms of the virus, there will be lots of opportunities to get up to speed with the latest gadgets. Even with 40 years professional experience and a holder of three degrees in filmmaking (B.A., M.A., Ph.D. ), I still have to strive to keep up with all of the technological advancements raining down on our industry every year. Workshops and seminars abound.

But that decision to postpone the completion of your college degree could cost you dearly. A year of “life experience” will not equate too much in the way of practical experience. But it could easily cost you your spot in an elite film program.

Is it really worth losing a year, just because you may not get as much hands-on production experience as you will in the first few weeks after you graduate?

Fred Ginsburg, CAS, Ph.D., is a highly experienced and award winning professional sound mixer whose decades of work includes features, episodic TV series, national TV commercials, corporate, and government. He is a member of the Cinema Audio Society and the University Film & Video Association. Fred holds doctorate, graduate, and undergraduate degrees in filmmaking; has published more than 200 technical articles along with a textbook, instruction manuals, and hosts an educational website. Fred instructs location recording and post-production sound at Calif State University Northridge

On the back of this very well composed article and if you are trying to decide on the Change of Mind CAO option, then please check out the Creative Technologies Programmes at LSAD.

Creative Broadcast & Film Production

Music Technology & Production

Thinking about the C.A.O. and the change of mind option. Why not check out the LSAD Creative Technologies Programmes at the Moylish Campus.

Creative Broadcast & Film Production

Music Technology & Production

(Click on the titles for more info)

 

Students and staff of the Creative Technologies Programmes of LSAD, LIT have been working with Writer, Actor and Comedian Pat Shortt on his new Podcast, ‘The Wellness Hour with Paaaah.’

Released on Tuesday Feb 4th on all main podcast platforms, season one will consist of a new episode for the next six weeks.

For more information on the collaboration check out the poster and video below.
Here is a behind the scenes look at the making of The Wellness Hour with Paaaah!

This slideshow requires JavaScript.

A message from Nora Ní Fhlatharta, Programme Leader of the Creative Broadcast & Film Production Programme, LSAD.

Day two Creative Broadcast & Film Production opendays and today we are running film screenings in our Clare St Campus and Camera demos in Moylish campus. It has been brilliant to meet with our future students. Huge thanks you to all the staff who helped out, to Art O Laoire, tecnichal supervisor, IT staff, Tom Brophy and Annette Bowman, to Des Farell and Mike Fox LSAD for making us feel so welcome, to lecturers, Simon McGuire, Muireann DeBarra, Mike Gavin, John Greenwood, and Mark Griffin, to our head of department James Greenslate, to Ken Coleman of Game art and design, but most of all to Creative Broadcast and Film production students. I get the pleasure of working with the hardest working, creative, and funfilled crew in the world. Thanks so much to all the @creativetechlit student volunteers who made our opendays a joy to be part of. Thanks a million everyone. Nora Ni Fhlatharta @lsadlimerick @limerick_it #CreativeBroadcastFilmProductionlit#openday#filmcrew

Video produced by Amerson Fortunato , 2nd Year Creative Broadcast & Film Production.

The CAO change of mind deadline has arrived. Just one last mention about the Creative Broadcast & Film Production Level 8 Programme at the Moylish Campus. This programme, under the Limerick School of Art and Design, LIT, offers a wide range of modules that cover many crafts of the Broadcast and Film industries including; camera operation, lighting techniques, sound recording, post-production editing and colour correction and many more.

With many of the lecturers still active in the industry every student gains valuable hands on experience and knowledge that won’t be found in texts or online.

Our graduates are highly skilled and sought after with opportunities for employment in the industry both here and abroad. Graduate Steve O’Carroll is currently based in New York and is editing on a new show called, ‘Battle of the 80’s Super Cars’ starring David Hasselhoff!

For more information on the Creative Broadcast & Film Production Programme, check out:

http://www.lit.ie/courses/LC371

Creative Broadcast & Film Production students and staff at LIT are pleased to announce details of the LIT Film & Media Showcase19 on Thursday 11th April in the LIT Millennium Theatre. The daylong showcase, which is a visual celebration of short film screenings as well as film & music exhibitions, will see student’s present films ranging from fiction, documentary, and animation. This public showcase offers an exciting opportunity to view the latest work of emerging film makers working in Limerick today.

Showcase19 is generously supported by film & media production companies in Limerick who have come on board to celebrate the work of these talented filmmakers.

Below are the list of the awards and supporting Film & Media Production companies:

  • Art Direction – Selected & presented by Troy Studios
  • Cinematography – Selected & presented by Crude Media
  • Motion Graphics & VFX – Selected & presented by Piquant Media
  • Documentary – Selected & presented by The Limerick Post
  • Original Sound Mix – Selected & presented Spin SW
  • Original Script – Selected & presented by HearSay Festival (Heron Media)
  • Richard Harris Award in Film Excellence – Selected & presented by Richard Harris International Film Festival

A number of events will run alongside the showcase including a presentation by Nigel Mercier on how to become a Film & TV Extra. Nigel’s company, “Set Extras” is the leading extras company in the West of Ireland. Providing extras since 2016 for TV Commercials, Music Videos, and local International Films. An award winning actor, Nigel will offer an overview of the extras casting process, what casting directors are looking for, and how you can get involved. For anyone interested in TV and Film production who would like to learn more about becoming an extra this is the event for you. SetExtras.ie have some of the most experienced casting directors working in Ireland today and a large database of people in the Limerick, Tipperary, Clare, and Kerry areas. To find out more, why not pop along.

Location: Millennium Theatre

Time: 1pm – 2pm

Book your place at https://www.eventbrite.ie/e/setextra-secrets-to-becoming-a-tvfilm-extra-with-nigel-mercier-tickets-56586496735

 

Following Nigel Mercier’s presentation will be a series of Music Exhibitions from 2pm – 6pm. This event, entitled “Scene and Heard” will see Music Technology and Production students from the Interactive Audio module perform live interpretations of audio recorded from a selection of short video scenes.

Location: Millennium Theatre

Time: 2pm – 6pm

Book you place at https://www.eventbrite.ie/e/scene-and-heard-tickets-58488459557

 

 

About the Creative Broadcast & Film Production Programme

Creative Broadcast & Film Production is a Level 8 BSc (Hons) Film and Screen Broadcast production programme. Students explore the dynamic world of Film & Broadcast Media Production and develop the key creative, technical, and storytelling skills to succeed. This skills based programme offers students an exciting opportunity to explore the world of the broadcast media industry. It covers a range of disciplines across Film & TV Production, Visual Effects, editing, radio, audio mixing, photography, as well as broadcast technologies across a range of new and traditional media platforms. We offer our students a range of prospects for both academic & career progression in the broadcast, film, creative media industries, as well as extensive hands on production work experience.

If you have a story to tell, we will show you how.

For CAO students hoping to attend the programme in September the showcase is a wonderful opportunity to find out more about the programme, see student examples, and meet the lecturers. All welcome.

For more information contact Nora NÍ Fhlatharta atNora.Nifhlatharta@lit.ie or Film@lit.ie

 
On behalf of the students and academic staff of the Creative Broadcast & Film Production programme, LSAD,  I would like to formally invite you to attend the – Showcase19 –  screening on Thursday, April 11th in the Millennium Theatre.
The showcase is a visual celebration of short film screenings as well as film & music exhibitions. Films range from fiction, documentary, and animation presented by the students of Creative Broadcast & Film Production. The event offers an exciting opportunity to view the latest work of emerging film makers working in Limerick today.
Reception opens at 17:00, screenings & awards from 18:00.

Showcase 19′ Awards selected by our 2019 Media partners are:

  • Art Direction -Selected & presented by Troy Studios
  • Cinematography – Selected & presented by Crude Media
  • Motion Graphics & VFX – Selected & presented by Piquant Media
  • Documentary – Selected & presented by The Limerick Post
  • Original Sound Mix – Selected & presented Spin SW
  • Original Script – Selected & presented by HearSay Festival (Heron Media)
  • Richard Harris Award in Film Excellence – Selected & presented by Richard Harris International Film Festival
I look forward to chatting with you when you get a chance and hope to see you at the reception.
Here is our eventbrite page with further information.