Archive for the ‘Cameras’ Category

Dr.Fintan O’Brien, from the podcast, ‘The Wellness Hour with Paaaah’, graced our screens on June 26th 8pm RTÉ One for RTÉ Does Comic Relief. Pat Shortt has brought one of the favourite characters of the podcast to the small screen with hilarious results. The sketch also features a new character, Sile DeBurca Ní Cormicain played by Pat’s daughter Faye Shortt.

This sketch was filmed on location in Co. Limerick.

If you want to hear more of Dr. Fintan and other characters check out series one of the podcast Here

OR click the Image below.

An article By Fred Ginsburg, CAS, Ph. D.

The first semester of having to teach online is over. It was a unique experience both for faculty as well as students. Some were able to handle it fairly well; we are a profession of technically adept filmmakers, after all.

But with the high probability of the Fall 2020 semester also being primarily online, and maybe even the following Spring 2021 (depends on when we see pharmacologic solutions), many students are having second thoughts about continuing their education. They are thinking, “Is it worth it? Maybe this is the time to take a semester or two off?”

Initially, the thought of taking a long sabbatical makes sense. Learning online is not the most effective means to learn filmmaking. After all, the production of films involves a lot of hands-on and close social activity. Only the act of scriptwriting is a solitary vocation.

However, as much as most of us Production Faculty want to reassure ourselves that the hands-on components of what we teach is state-of-the-art and irreplaceable – the realistic fact is that we only cover the tip of the iceberg.

Most of what we teach involves mindset and understanding the basic principles of our technical crafts (cinematography, editing, audio, etc.). It is not so much about the specific equipment, but what to do with said equipment in order to communicate.

This semester made me realize that most of what I had to share with my students was an understanding of how and why we do what we do on the set. I recalled the first thing that I concluded after leaving college with a freshly printed diploma and transcript. Working with seasoned professionals in Hollywood taught me more (technically) in several weeks than I had learned over four years on campus! The equipment and technology were way beyond the amateur levels provided by our film department.

However, my overall understanding of aesthetics and production flow was equal, if not sometimes superior to that of the veteran crew around me. So, my education was successful in terms of teaching me the big picture. I knew the principles of lighting, just not the nicknames of all the Mole-Richardson lights nor how to thread up a 35mm ARRI. I understood what was necessary to record on set, just not how to operate the fancy mixing panels and other gear.

The point that I am making is that most of what you will ultimately derive from a college degree in film/video/media does not rely solely on hands-on experience. It comes from learning the underlying thought processes, goals, and mindset of a professional. It goes hand in hand with learning the fundamental concepts of filmmaking, including the aesthetics, art, and business aspects.

It is about being pointed in the right direction, so that you know what you need to continue mastering on your own. What instructional videos to watch on the internet, what software is essential, and the industry standards. Seminars and workshops sponsored by guilds and manufacturers. User groups.

Practical Considerations Against Postponing College

By continuing to attend online, you keep your mind sharp and progress through your degree program. Sure, you will miss out a lot of the hands-on experience, but as I have learned in my many years of life on this planet: most of the hands-on training that you get at the majority of even the elite film programs does not equate to the levels that we operate at in the industry.

Your degree in film is not respected for what a college may or may not prepare you for in terms of hardware proficiency. That is a skillset that you can rapidly acquire with but a few weeks of workshops and seminars. On your own, or through post-curricular events sponsored by your college department.

For example, the department in which I teach has had numerous discussions regarding conducting special sessions as soon as it is deemed safe to do so, with many instructors even volunteering their own time and resources to make these happen. (When you leave Hollywood in order to teach, it certainly is not for the money!)

As a student, keep in mind that many of your classes are outside of the production realm. Writers learn much from understanding psychology, sociology, and history. Producers and freelancers should master accounting, contract law,  and other business-related subjects.

If you do decide to take time off, what do you plan on doing with it?

Internships, during a pandemic, are scarce – and rarely involve any hands-on due to social distancing.

Earn money while you are no longer in college? Doing what? The economy is barely hiring right now, unless you want to be a delivery driver. Retail establishments are more concerned about hiring back some of the people that they had to lay off. There is no great rush to bring in a bunch of high school grads (who did not complete college yet) and offer them enticing positions.

But let’s pretend that money is not the issue. You could travel the world and experience a diversity of cultures. Or maybe not, on account of this virus thing.

Having spent six months or a year sitting around in a mask and bored like hell – you decide that you are ready to return to campus…

Although the colleges may be eager for you to re-enroll, they cannot guarantee your spot in the film program. Your original “class” of film students has progressed in their academic hierarchy and are now in the more advanced courses of the curriculum. You can no longer team up with your old friends on projects.

You now have to compete, not only with all of the new students entering (or progressing) in your program, but also with all of the returning “time off-ers”.

COVID-19 has forced budget cuts at all of the colleges. Courses may not have been cut, but it is unlikely that the number of courses/sections will be increased. Departments have limited production equipment, edit bays, computer labs, screening rooms, soundstages, control rooms, large classrooms, and other physical facilities.

So even if the academic administrators approved opening up additional sections of some courses and were willing to pay the instructors, there still may not be enough resources to support that many new students in the program.

Learn what you can, while you can

Going back to college after months away can be particularly challenging from a mental standpoint. Think about how hard it is to get back into an academic routine after just a summer break!

It will be even harder after a semester or two away!

And the film industry will not welcome you without a college degree. But they will not be as concerned about your lack of hands-on set experience compared to what they may think of your lack of a focused college degree in the field.

Trust me. Once things settle down in terms of the virus, there will be lots of opportunities to get up to speed with the latest gadgets. Even with 40 years professional experience and a holder of three degrees in filmmaking (B.A., M.A., Ph.D. ), I still have to strive to keep up with all of the technological advancements raining down on our industry every year. Workshops and seminars abound.

But that decision to postpone the completion of your college degree could cost you dearly. A year of “life experience” will not equate too much in the way of practical experience. But it could easily cost you your spot in an elite film program.

Is it really worth losing a year, just because you may not get as much hands-on production experience as you will in the first few weeks after you graduate?

Fred Ginsburg, CAS, Ph.D., is a highly experienced and award winning professional sound mixer whose decades of work includes features, episodic TV series, national TV commercials, corporate, and government. He is a member of the Cinema Audio Society and the University Film & Video Association. Fred holds doctorate, graduate, and undergraduate degrees in filmmaking; has published more than 200 technical articles along with a textbook, instruction manuals, and hosts an educational website. Fred instructs location recording and post-production sound at Calif State University Northridge

On the back of this very well composed article and if you are trying to decide on the Change of Mind CAO option, then please check out the Creative Technologies Programmes at LSAD.

Creative Broadcast & Film Production

Music Technology & Production

Thinking about the C.A.O. and the change of mind option. Why not check out the LSAD Creative Technologies Programmes at the Moylish Campus.

Creative Broadcast & Film Production

Music Technology & Production

(Click on the titles for more info)

 

Photography is coming to Thomond Park

Whelan Cameras are delighted to announce the inaugural Photo Expo will be coming to Thomond Park this May 9th. The Expo promises to be the biggest celebration of photography in Ireland in 2020, with all the main photographic brands in the industry in attendance. Speakers and demonstrators from Canon, Nikon, Sony and DJI head up an impressive list of more than twenty-five exhibitors that will be in attendance on the day.

Manager of Whelan Cameras David Whelan said of the event “Last year we celebrated our 70th year in business so it felt like a natural step to bring something big to Limerick this year. With the help of some of the biggest names in the industry we hope to make this an event to remember”.

The Photo Expo will be a mix of live demonstrations, touch and try opportunities and keynote speakers giving talks. One of whom will be, Canon Ambassador, Sanjay Jogia a leading internationally acclaimed Award-Winning Wedding Photographer.

Image Copyright Sanjay Jogia Photography

Also in attendance will be Nikon Ambassador and fellow Award-Winning Wildlife Photographer Tom Mason. Tom has a huge passion for the natural world and will show his collection of work and give brilliant insights into what it takes to be a great wildlife photographer.

Image Copyright Tom Mason Photography

 

One of Ireland’s leading landscape photographers Bernard Geraghty will discussing Arctic Light in the main hall. Bernard leads tours around Ireland, Italy, Norway and Tenerife to name a few. “Photography allows me to live the dream. I can be alone, at one with the world around me, and yet feel as though I am at the centre of the universe when I capture that split second in time.”

Image Copyright Bernard Geraghty Photography

Tickets are €10 and are available through Eventbrite and The Photo Expo website, www.thephotoexpo.ie. Group tickets are also available for groups of ten or more booking together available by emailing info@thephotoexpo.ie. Tickets allow entry to all demonstrations and talks, keynote speeches will be on a first come first served basis on the day.

Follow The Photo Expo on Instagram @thephotoexpo.ie for more announcements and information on the expo as more speakers and demonstrators confirm their attendance at the event.

 

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A message from Nora Ní Fhlatharta, Programme Leader of the Creative Broadcast & Film Production Programme, LSAD.

Day two Creative Broadcast & Film Production opendays and today we are running film screenings in our Clare St Campus and Camera demos in Moylish campus. It has been brilliant to meet with our future students. Huge thanks you to all the staff who helped out, to Art O Laoire, tecnichal supervisor, IT staff, Tom Brophy and Annette Bowman, to Des Farell and Mike Fox LSAD for making us feel so welcome, to lecturers, Simon McGuire, Muireann DeBarra, Mike Gavin, John Greenwood, and Mark Griffin, to our head of department James Greenslate, to Ken Coleman of Game art and design, but most of all to Creative Broadcast and Film production students. I get the pleasure of working with the hardest working, creative, and funfilled crew in the world. Thanks so much to all the @creativetechlit student volunteers who made our opendays a joy to be part of. Thanks a million everyone. Nora Ni Fhlatharta @lsadlimerick @limerick_it #CreativeBroadcastFilmProductionlit#openday#filmcrew

Video produced by Amerson Fortunato , 2nd Year Creative Broadcast & Film Production.

Limerick Institute of Technology Autumn Open Days 2019 will take place at the Moylish and Clare Street campuses in Limerick on Thursday 17th October and  Friday 18th October from 9:30am to 2pm

The academic teams of the Creative Broadcast & Film Production and Music Technology & Production, will be at both sites, to demonstrate and chat about the programmes, the industry and the opportunities that are available for new entrants in Sept 2020.

If you cant make it then there will be other opportunities to visit the Moylish campus and experience different events that are put on by the staff and students of the programmes, including; The Richard Harris International Film Festival Awards Show, (Oct 27th Millennium Theatre) and the end of year Student Showcase (April 2020 TBC).

For more information on the programmes click the links below:

Creative Broadcast & Film Production

Music Technology & Production

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This week marks the third year of the Creative Broadcast and Film Production Programme (CBFP) at LIT Moylish. Over the past three years many changes that were made for this programme (formerly the Video & Sound Technology Programme) have flourished and have helped increase the student numbers in applying each year. This year being no exception.

With the merger of the in-house Limerick Film Festival with the Richard Harris International Film Festival, The Annual Student Showcase event, Studio Tours, In-House production Unit, as well as special guest lectures and industry workshops, students of the CBFP have more opportunities to learn, network and test their skills in industry standard practices than ever before.

Images of 2018’s Foley workshop. (Pic:Nora Ní Fhlatharta

Also with the fact that the CBFP programme is now a part of the Department of Design at Limerick School of Art and Design, there will be further opportunities for collaboration with other design programmes in both the Clare Street and Clonmel campus’.

While this years cohort is now full and beginning in the coming days, (and we are excited to see the new talent) I would encourage other second level students (5th & 6th years) to check out the events that are happening during this academic year at the Moylish campus, including the Open Days and The Richard Harris International Film Festival in October (which the students and staff produce the now acclaimed Live Streamed Awards Show), and the student showcase which will take place in the spring of 2020.

Cast and Crew of the short film, ‘Detainment’ which won the overall award at the Richard Harris International Film Festival and went on to be shortlisted for the Academy Awards 2019.

Also keep an eye on the programme facebook page for info on the guest lectures and workshops which some are open to the public as well as current students.

If you have further questions about the Creative Broadcast & Film Production Programme then feel free to drop an email to film@lit.ie or contact me on simon.mcguire@lit.ie

Further updates on events will be posted here also in the coming weeks.

S.

BlackMagic have decided to release the details of the 6K version of their Pocket Cinema Camera.

I would wonder if all those who are still on the waiting list for a 4K Version to arrive will they be changing their orders.

There are some very nice tech advancements…

KEY FEATURES

  • Active Canon EF Mount
  • Super 35-Sized HDR Sensor
  • Record 6K 6144 x 3456 up to 50 fps
  • Dual Native 400 & 3200 ISO to 25,600

However I question this one and it’s target market. I would assume the quality is superb but with a tag of over $2500 (Irish price would be more I would say), this camera now falls into a very saturated price category.

Depending on the user and their requirements for filming, is there a need from clients for 6K (at this time)? Does the client have 6K playback to maximize the viewing experience of the package?

Also with other 4K cameras, including the previous pocket cam (pictured above next to the 6k) would this be the better buy? I do however like the idea of all the EF glass now compatible with the BlackMagic pocket though, (long over due).

Here is a breakdown from Newsshooter.com which gives all the details

https://www.newsshooter.com/2019/08/09/blackmagic-design-releases-pocket-cinema-camera-6k-with-ef-mount/

The CAO change of mind deadline has arrived. Just one last mention about the Creative Broadcast & Film Production Level 8 Programme at the Moylish Campus. This programme, under the Limerick School of Art and Design, LIT, offers a wide range of modules that cover many crafts of the Broadcast and Film industries including; camera operation, lighting techniques, sound recording, post-production editing and colour correction and many more.

With many of the lecturers still active in the industry every student gains valuable hands on experience and knowledge that won’t be found in texts or online.

Our graduates are highly skilled and sought after with opportunities for employment in the industry both here and abroad. Graduate Steve O’Carroll is currently based in New York and is editing on a new show called, ‘Battle of the 80’s Super Cars’ starring David Hasselhoff!

For more information on the Creative Broadcast & Film Production Programme, check out:

http://www.lit.ie/courses/LC371

BLOOD BROTHERS

(Short Film)

A new short film, scripted by Meara Owen-Griffiths and story by Paul Boyle, has begun production this summer. With locations around Killaloe, Co. Clare, it’s directed by actor Paul Boyle, with Simon on camera.

The film will also be edited by Simon in July 2019 and will hopefully hitting the Irish film festival circuit later this year.

More Soon.