Archive for the ‘post-production’ Category

Troy Studios, Limerick City.

Story via Limerick’s Live 95fm

Thursday, 29 January 2026 11:00

By Live95 News Team

The news was announced this morning.  

BiggerStage has announced a multimillion-euro agreement with Hackman Capital Partners’ Troy Studios and The MBS Group to create a global unscripted production hub at its world-class production facility in Limerick.

Troy Studios, Ireland’s largest and most modern studio facility, spans 26 acres, including four sound stages totalling 100,000 sq. ft (9,290 sq m) with an overall footprint of 350,000 sq. ft (32,516 sq m).

Under the multi-year deal, both parties will invest to attract major international television formats to Limerick, with BiggerStage producing projects on the ground while supporting extensive training and skills development.

In addition, Troy Studios will be a home for original IP development – a destination where the next wave of global hit programmes can be piloted at scale with unrivalled efficiency. The facility will host a number of pilot projects for major international partners in 2026, alongside BiggerStage’s expanding original slate.

Ireland has seen substantial growth in international TV production over the past three years, supporting dozens of SMEs and creating hundreds of skilled jobs. Since its 2021 inception, BiggerStage has produced over 250 hours of primetime programming in Ireland, including The Floor, Next Level Chef, Beat Shazam, Name That Tune, and Don’t Forget The Lyrics. Central to BiggerStage’s success is a cost-effective EU-based production model with a common travel area with the UK.

Speaking from the Prime Time production conference in Canada Pat Kiely, CEO & Founder of BiggerStage, said: “We are truly entering a golden age for the television industry in Ireland. Europe’s first unscripted tax credit will help Ireland compete more effectively on the world stage to become the home of global formats, the fastest-growing area of  television production. This investment in Troy Studio will allow us offer a world class base for international production. Irish crews are renowned as the best in the business and we look forward to creating a sustainable centre of excellence in Limerick, surrounded by great infrastructure, expanding centres of learning and a brilliant hospitality industry. Ireland’s creative industry is on a real high; never has there been a better time to expand our global offering and drive more investment in jobs, training, development and infrastructure.

Also speaking from the Prime Time production conference in Canada, Patrick O’Donovan, Minister for Culture, Communications and Sport said “This announcement is yet another strong signal that Ireland is open, competitive and ambitious when it comes to investment in the creative services sector. The creation of a global hub for unscripted production at Troy Studios will not only attract major international players to Limerick, it illustrates how Ireland has the infrastructure, talent, creativity and production expertise to lead in this space.”

Jason Hariton, Chief Studio and Real Estate Officer at MBS Group added: “We look forward to continuing our work with the BiggerStage team to ensure they have the technical equipment and resources required to continue their leading role in the growth and success of Ireland’s vibrant screen industry.”

Elaine Geraghty, Managing Director Troy Studios, said, “The new deal firmly positions Limerick and Ireland at the forefront of global television production, supported by the unique advantages presented by Ireland’s unscripted tax credit. Together, we are dedicated to building a global production hub that will benefit the creative sector, generate employment, and deliver outstanding original content for audiences worldwide.”

Alastair Boucaut, EVP Global Studio Platform, Hackman Capital Partners, said, “We are thrilled and delighted that BiggerStage has made a long-term commitment to Troy Studios. Our facility was built to welcome bold and innovative companies like BiggerStage that have proven international production success. This collaboration will bring exciting projects to Ireland and strengthen the country’s creative industry.” 

Apple have finally released their much anticipated ‘Apple Creator Studio’ which has raised a few eyebrows.

The apps you need for everything you want to create. Craft your stories with video in Final Cut Pro. Reimagine images in Pixelmator Pro. Produce your best music in Logic Pro. Supercharge productivity with premium content in Keynote, Pages, Numbers, and Freeform. Boost workflows with AI features that build on Apple Intelligence. And with Family Sharing, up to five other people can enjoy your subscription too.

With a price tag for a new subscriber at $12.99 per month or $129 per year after your free trial, it is yet another entry to the area of the market that Adobe Creative Suite has dominated for some time. With the DaVinci Resolve Studio package still retailing at the €313.65 (inc: VAT) for a licence (however Black Magic have also hinted recently at a subscription based option for their software package) this is a competaive option from Apple.

It remains to be seen if Apple and its Final Cut Pro NLE can regain some editing fans, but in the meantime it might be worth checking out the new suite of software apps on a new M4 chip Mac mini or studio.

Check out the details HERE

Poster

Avenue Productions are delighted to announce that the award winning ‘Warts & All’ short film, directed by Pat Shortt, will screen on Monday 15th December on RTÉ 2 at 11:30pm as part of the Shortscreen programme.

After a hugely successful festival, there is anticipated excitement in looking forward to the screening to a national audience.

Hugh congratuations to all the cast and crew and all those who worked so hard to bring this story to screen.

Faye Shortt (Actor), Pat Shortt (Director), Michelle Lehane (Writer / Actor), Simon McGuire (Editor)

This is episode 2 of series 9 of Word On the Street, a production by Film CEL. LSAD’s in-house production unit.

Screenshot

I had the opportunity to write an article for the latest edition of the Assembled Magazine for the Irish Screen Editors Guild (ISE), about the challenges people with disabilities face when entering the post production industry. A recent graduate of mine from the Creative Broadcast & Film Production programme, Katie Quirke, also gave me a direct insight to the challenges and how things can be improved for editors with disabilities. This article and many others are now available to read from the ISE website HERE or by clicking the image above. Special thanks to Katie for allowing me to tell some of her story and to Shane Woods ISE for asking me to contribute to this issue.

Adobe have released their new mobile version of their flagship NLE, Adobe Premiere for iOS devices. This new iteration replaces the basic Adobe Rush app which didn’t take off as well as Adobe had anticipated all those years ago.

See the download info HERE

According to Wired:

ADOBE HAS HAD a busy year designing and redesigning a number of its most popular apps for mobile, and Premiere for iPhone is the latest—a mobile-first video editing workflow that adapts most of the tools from the desktop version of Premiere to a mobile user interface. You can trim, layer, edit, and even auto-generate captions, alongside all the basic editing features you’d expect, like color and exposure adjustments.

The automatic resizing feature is particularly nice, adapting videos to both horizontal and landscape platforms, making sure your subject is centered for both cuts. As with anything Adobe releases these days, there are plenty of AI-powered features, including the ability to generate backgrounds from a prompt and create sound effects from your voice.

Premiere for iPhone is free, though if you want to use the AI features, you’ll have to buy credits within the app. According to Adobe, the Android version is still under development. —Scott Gilbertson

Colin Michael has released a tutorial for iOS users on the app which can be viewed below:

It remains to be seen if this software will be adopted by mobile editors, as it has some stiff competition with Blackmagic’s Da Vinci Resolve for iOS.

Time will tell whether it fills a gap in the market or become another “Rush” ed project.

New DaVinci Resolve 20 training books now available! HERE

These step by step training guides are for both new and existing users. Using a project based approach, you will discover how to edit a sophisticated trailer for a documentary feature, grade your film using DaVinci Resolve’s legendary color correction tools, enhance your soundtracks with Fairlight and build custom visual effects using Fusion.

With The Beginner’s Guide to DaVinci Resolve 20, you’ll learn how to:

  • Edit your own projects using industry standard editing tools.
  • Normalize audio levels and automatically mix music using the new Ducker track effect.
  • Read video scopes to adjust contrast, color balance and saturation.
  • Create secondary corrections using Color Warper and Color Slice.
  • How to set up projects, sync and manage audio files.

In The Editor’s Guide to DaVinci Resolve 20, you’ll discover how to:

  • Use advanced editing and trimming techniques for different genres.
  • Set up and manage complex projects using smart bins and metadata.
  • Automatically generate transcriptions to jump-start your editing.
  • Use trimming tricks and real time dynamic trimming.
  • Apply multi camera syncing and editing techniques.

The Fairlight Audio Guide to DaVinci Resolve 20 will show you how to:

  • Navigate and customize the Fairlight interface.
  • Work with the Fairlight Sound Library.
  • Create and edit dialogue, music and sound effects tracks.
  • Record voiceover, ADR and Foley tracks.
  • Work with audio track layers to stack, split and build a composite.

In The Colorist Guide to DaVinci Resolve 20, you’ll learn how to:

  • Balance and match footage using primary grading tools.
  • Analyze and color correct images with the help of scopes.
  • Track people and objects with windows and magic masks.
  • Migrate XML timelines and roundtrip workflows.
  • Work with nodes to create sophisticated grades.

The Visual Effects Guide to DaVinci Resolve 20 includes information on how to:

  • Composite using nodes.
  • Combine optimal takes with the split screen technique.
  • Track objects using the point tracker and planar tracker.
  • Compose with multi layer PSD files.
  • Create green screen compositing with the delta keyer and clean plate.

In Advanced Visual Effects Guide to DaVinci Resolve 20, you learn how to:

  • Enhance live action environments with 3D particles.
  • Use multiple keyers for advanced green screen keying.
  • Use Magic Mask to save time rotoscoping.
  • Work seamlessly with 3D assets.
  • Set up 3D scenes with cameras, lights and depth of field.

These books are designed for both beginners and professionals. Beginners will find clear and concise lessons to get you up and running quickly. If you’re a professional switching to DaVinci Resolve, you’ll find lessons that cover everything from the basics to working with audio, adding text, effects, and more. You’ll also find dozens of pro tips and tricks that will help you make the switch to DaVinci Resolve!

Here is the direct link: http://bmd.link/7tipKM

The First 10 Minutes of Episode 1 of The Wayfinders has been released, giving viewers a sneek peek of the adventure the heros are taking. The link for this is HERE or the image above.

All episodes of series 1 will be released at the end of the year.

Taking place at the annual LSAD Graduation show at the Clare Street Campus, Limerick, will be the screening of end of year capstone projects from the 4th year Creative Broadcast & Film Production students.

There will be a series of short films, documentaries, portfolios and dissertations available to the public in a selected location in the campus, where the students themselves will also be in attendance to chat about their work and hopefully network too with visitors and even interested industry parties.

Why not come along to this event which is open from May 31st to June 8th 2025.

This highlights reel features a selection of content and programmes that were created by the 2025 crew of Film CEL. This years crew excelled themselves on all productions and projects, gaining experience on planning, camera operation, grip and rigging, lighting and sound and post production using Avid Media Composer.

This crew will continue as students in the year 4 of the Creative Broadcast and Film Production programme at LSAD, TUS where they will take these skills and develop new content and creative works for their final year.

Music track: Tell Me by Burgundy Source: https://freetouse.com/music Copyright Free Music for Video

Film CEL is an in-house production unit for the Creative Broadcast & Film Production Programme at LSAD, TUS.